Friday, June 30, 2017

Music for Sunday, July 2

July 2, 2017
Proper 8

Back in May I asked the band and the choir for a list of favorites to share with you during the summer months. As you are probably aware, we do not rehearse during June and July, so favorites are good! This Sunday we continue with some old favorites, and even a new favorite!

The past couple of weeks we have introduced a new song at the 9:00 - "Sing Hey For the Carpenter". I have had more than one person come to me to tell me how much they like it. Well guess what? You get to sing it with us this week at the recessional. As mentioned here last week, the song is written by Scottish song writer John L. Bell. Though his primary vocation is as a preacher and teacher, Bell
spends over half his time working in the areas of music and liturgy, both at conferences and in small parishes, and his work takes him frequently into Eastern Europe, Asia, Africa, and Australia.

With his colleagues, he has produced over 15 collections of songs and octavos, and a wide range of liturgical materials, particularly for use by lay people, and he oversaw the production of a substantial hymnal for the Church of Scotland which, in North America, goes by the title Hymns of Glory, Songs of Praise. (Canterbury Press). He has also authored a number of collections of sermons and meditations, is an occasional broadcaster on radio and television, and manages to survive without the benefit of a wife, car, cell phone, camera, or ipod.

9:00
Prelude - Your Love, O Lord
Processional - My Life Is In You
Sequence - Celtic Alleluia
Offertory - Every Move I Make
Communion -  My Hope Is Built on Nothing Less, Fill Me Now
Recessional - Sing Hey For the Carpenter

At 11:00, I am throwing my favorites into the mix! The recessional hymn is "God of Grace and God of Glory" so I thought I would play my favorite organ piece, Cwm Rhondda by Paul Manz.

Paul Otto Manz (1919-2009) was an American composer for choir and organ. His most famous choral work is the Advent motet "E'en So, Lord Jesus, Quickly Come", which has been performed many times at the Festival of Nine Lessons and Carols at King's College, Cambridge. As a performer, Manz was most famous for his celebrated hymn festivals. Instead of playing traditional organ recitals, Manz would generally lead a "festival" of hymns from the organ, in which he introduced each hymn with one of his famously creative organ improvisations based on the hymn tune in question. Cwm Rhondda is one of those improvisations.


Another favorite is the offertory anthem, "Lord, For Thy Tender Mercies Sake". This piece has uncertain origins. Its composition has been attributed to Richard Farrant (1530-1580, Master of the Children of St. George’s Chapel, Windsor, and later Master of the Chapel Royal), John Hilton (the elder of two composers of that name, d. 1609), and even at one time to Thomas Tallis (1505-1585). Some editions of the piece do not contain the final amen, prompting some to speculate that these final bars may have been added by one composer to a pre-existing piece by another. While the text is taken from Christian Prayers and Holy Meditations (1566) by Henry Bull (1530-75), the fact that the text is not set exactly as it appears in the prayer book has suggested to some that these English words were “found” for music that had previously been a setting of Latin words.


As it is the Sunday before Independence Day, I thought I would add a couple of quasi-patriotic pieces. At communion at both services we will sing "My Hope Is Built on Nothing Less", but we will use the beautiful tune Melita, which is also known as the Navy Hymn. The original text, "Eternal Father, strong to save..." was written by Englishman William Whiting in 1860.  Within a year it was in cluded in the first edition of Hymns Ancient and Modern. Meanwhile, John B. Dykes, an Anglican clergyman, composed the tune "Melita" to accompany the HA&M version of 1861. Dykes was a well-known composer of nearly three hundred hymn tunes, many of which are still in use today.[6] "Melita" is an archaic term for Malta, an ancient seafaring nation which was then a colony of the British Empire, and is now a member of the Commonwealth of Nations. It was the site of a shipwreck, mentioned in Acts of the Apostles (chapters 27–28), involving the Apostle Paul.

Finally, at the Postlude I will play Charles Wesley's Variations on "God Save the King" aka "America".

11:00
Prelude - Cwm Rhondda     Paul Manz
Processional - 525 The Church's One Foundation
Sequence - 521 Put Forth, O God, Thy Spirit's Might
Offertory - Lord, For Thy Tender Mercies Sake
Communion - 654 Day By Day
661 They Cast Their Nets in Galilee
My Hope Is Built on Nothing Less 
Recessional - 594 God of Grace and God of Glory
Postlude - Variations on "God Save the King"     Charles Wesley

Friday, June 23, 2017

Music for Sunday, June 25

June 25, 2017
Proper 7

In last weeks gospel we  were told the names of the 12 Apostles and told how Jesus sent them out into the world. This week Jesus says,"Whoever does not take up the cross and follow me is not worthy of me. Those who find their life will lose it, and those who lose their life for my sake will find it.” Which leads me to the song we introduced at the 9:00 offertory  last Sunday, "Sing Hey For the Carpenter". Written by John Bell, this song entreats us not only to follow Jesus, but to be with him. This week we will sing it at the prelude.

Hymnwriter John Bell is a Church of Scotland minister and a member of the Iona Community. 
Come with me, come wander,
Come welcome the world,
Where strangers might smile
Or where stones may be hurled;
Come leave what you cling to,
Lay down what you clutch
And find, with hands empty,
That hearts can hold much.
Sing Hey for the carpenter 
Leaving his tools!
Sing Hey for the Pharisees
Leaving their rules!
Sing Hey for the fishermen
Leaving their nets!
Sing Hey for the people
Who leave their regrets!


At the 11:00 offertory, we will sing a requested favorite, "Hallelujah, Praise the Lord" from Robert Ray's Gospel Mass. Written 40 years ago as an experiment, the Gospel Mass was initially meant to be performed only once. 
In a 2009 interview with the Houston Chronicle, Ray explained that the Gospel Mass is a direct result of the Second Vatican Council in the mid-’60s and its decision to hold Masses in the language of the host country rather than in traditional Latin. That opened up the mass to other changes. The Rev. Clarence Rivers, a musician and the first black Catholic priest in the archdiocese of Cincinnati, was an advocate for the use of African-American spirituals in the Catholic liturgy. Ray, a graduate of Northwestern University in music and piano performance, was asked to be on Rivers’s liturgical team. “We went around the country, advocating the use of jazz and African-American music in the liturgy,” Ray recalled. “We pretty much talked to black Catholics and got a mixed reaction. Some people had joined the Catholic church because they wanted to get away from that traditional music.” From the beginning, Gospel Mass was wildly successful.
The official premiere was in 1979 at the University of Illinois-Urbana, with a chorus of Ray’s students. “There was an incredible response,” Ray recalls. “We performed to jam-packed houses. I was very, very excited. To have that kind of response to the first work you have ever written was very gratifying. Like I said: ‘It was the hand of the Almighty.’ ”
Even so, Ray never expected Gospel Mass to be performed again. He packed the music in storage and went on with his life. Several years later a friend asked to use Gospel Mass in a high school concert. The piece, he believes, struck an ecumenical chord that “allowed people of all denominations or faith to embrace the style.” The music for the Mass, like other pieces Ray later composed, was based on his own musical experience, growing up in the African Methodist Episcopal Church.
Some of you may recall that the Trinity Choir sang the Gospel Mass 3 years ago to a grooving house! As it is summer, if you would like to sing this wonderful anthem with us, we welcome all that would like to participate in Summer Choir! We meet in the music suite at 10:10. Hope to see you!
"Hallelujah, Praise the Lord" takes the text from Psalm 150.
Hallelujah, praise the Lord
Praise Him with stringed instruments
Praise Him with dance
Praise Him with the psaltery and harp
Everything that hath breath ought to praise Him!


9:00
Prelude - Sing Hey For the Carpenter
Processional - Come People of the Risen King
Sequence - Celtic Alleluia
Offertory - Come As You Are
Communion - I Have Decided to Follow Jesus, Humble Thyself in the Sight of the Lord
Recessional Oh How Good It Is

11:00
Fugue     Louis Nicolas Clerambault
Processional - 372 Praise to the Living God
Sequence - 675 Take Up Your Cross, the Savior Said
Offertory - Hallelujah! Praise the Lord    Robert Ray
Communion - 655 O Jesus I Have Promised
676 There Is A Balm In Gilead
679 Surely It Is God Who Saves Me

Recessional - 535 Ye Servants of God, Your Master Proclaim

5:00
Processional - 372 Praise to the Living God
Sequence - 675 Take Up Your Cross, the Savior Said
Recessional - 535 Ye Servants of God, Your Master Proclaim